His is a highly seductive art of braided connections that draws on a wide range of sources - including jazz and hip hop music, the Bible, and the works of artist and poet William Blake - and works on many levels, physically and metaphorically. Ofili's recent works adopt simple, pared-down forms while continuing to be just as expansive, dramatic and romantic - full of references to sensuality, sexuality and his ongoing exploration of Biblical themes. Collaborative projects include Metamorphosis: Titian 2012, in which contemporary artists were invited by London's National Gallery and Royal Opera House to respond to Titian's works as part of the Cultural Olympiad. Ofili worked alongside choreographers and dancers from The Royal Ballet on sets and costumes for a new ballet Diana & Actaeon as well as a substantial suite of paintings and works on paper inspired by Ovid's Metamorphoses. 

Alongside the recent developments in the artist's material choices, Ofili has remained faithful to a pictorial style that relies on a conscious flattening of the picture plane, carefully layered surfaces, and diverse, history-spanning sources of inspiration.

Chris Ofili was born in Manchester, England, in 1968, and currently lives and works in Trinidad. He received his BA in Fine Art from the Chelsea School of Art in 1991 and his MA in Fine Art from the Royal College of Art in 1993. His most recent solo exhibitions include Chris Ofili: The Seven Deadly Sins at Victoria Miro London (2023); Chris Ofili: Harvest at Victoria Miro Venice (2022) and Chris Ofili: The Othello Prints, Wallach Art Gallery, Columbia University, New York (2019).

Major solo exhibitions of the artist's work have been presented at international venues including the Institute of Contemporary Art, Miami (2017–2019); National Gallery, London (2017); New Museum, New York (2014), travelling to Aspen Art Museum (2015); The Arts Club of Chicago (2010); Tate Britain, London (2010 and 2005); Kestner Gesellschaft, Hannover (2006), The Studio Museum in Harlem, New York (2005), and Serpentine Gallery, London (1998). The artist represented Britain in the 50th Venice Biennale in 2003 and won the Turner Prize in 1998. 

A major site-specific work by Chris Ofili is currently on view at Tate Britain. Spanning three walls, Requiem pays tribute to fellow artist Khadija Saye and remembers the tragedy of the Grenfell Tower fire. It offers a poetic reflection on loss, spirituality and transformation.