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Produced on the occasion of the artist’s exhibition, time TIME, at the gallery. 

Victoria Miro is delighted to offer a suite of nine prints by Chris Ofili, presented in a portfolio case with a special cover hardback edition of Greek Myths: A New Retelling by Charlotte Higgins.

Published on the occasion of a new exhibition at Victoria Miro, this 80-page artist’s book features Looking for Mother, a new text by writer and critic Olivia Laing, and a selection of works from the past 30 years in addition to the paintings on view.

This special publication documents the ambitious presentation of works created by Yayoi Kusama for her new exhibition at the gallery.

This beautifully designed artist’s book, with a cloth-bound double cover, concertinas to reveal Idris Khan’s work The Seasons Turn, with spring and summer on one side, and autumn and winter on the other. With E. E. Cummings's poem 1(a and a short accompanying text.

Published on the occasion of the exhibition Idris Khan: Words Beneath Words, at Victoria Miro Venice (26 October–14 December 2019), this special collectors’ edition book features an essay by Nick Hackworth exploring the themes and motifs of Khan's latest body of work.

Published on the occasion of the exhibition Secundino Hernández: Grapado a la piel, at Victoria Miro Venice (13 September–19 October), this fully illustrated book includes new text by the author, screenwriter and director Ray Loriga.

This special Collectors Edition of Milton Avery: The Late Portraits accompanies an exhibition at Victoria Miro Venice of portraits drawn from the last four years of Milton Avery’s life. Presented in a hardback, bespoke slip case, this book has been lavishly designed by Atelier Dyakova in London and features text by Waqas Wajahat, detailed reproductions of the exhibition paintings, and drawings.

The first comprehensive presentation of the duo's work, from their early performative pieces in the late 1990s to their most recent public projects. 

Attracting the Attractor presents photographs made in Yeading (Hayes, Greater London) in 2018, along with text and graphic elements. 

‘In her work, Akunyili Crosby sets herself constraints, then slips them… The rules and the slippage operate in tandem; together they queer both the family and the national archive. She creates a new memory-script that floats across spaces and the fields of signs.’ – Siddhartha Mitter

Published on the occasion of a new exhibition at Victoria Miro Mayfair, this new book follows a new series of Self-Portraits by the artist Chantal Joffe – accompanied by a new text by Olivia Laing.

JOHN KØRNER is most comprehensive publication on the artist to date, featuring conversations with Marie Nipper, curator of Kørner's retrospective exhibition Forever Problems at Kunsthal Charlottenborg in 2017, in addition to essays by Max Andrews (frieze) and art critic Oliver Basciano (ArtReview). 

Psychogeometries is the first substantial book to consider the conceptual, thematic and material development of Conrad Shawcross’s art. It follows his career, from the extraordinary machines that marked his emergence in the early 2000s to his most recent projects, which extend the possibilities of art in the public realm, examining the geometries and topologies with which he has experimented, and exploring his ongoing interest in the tension between the rational and the irrational.

A new book on the acclaimed British painter Chantal Joffe. Features paintings from across Joffe’s career, as well as a number of works by the pioneering German artist Paula Modersohn-Becker, and includes new texts by art historian Dorothy Price, Professor of Art History at the University of Plymouth, Gemma Blackshaw, and writer and critic Olivia Laing.

Extensively illustrated, a new 116-page hardback publication includes an essay by Edith Devaney, Contemporary Curator at the Royal Academy of Arts and co-curator of the recent Abstract Expressionism exhibition, examining the development of Milton Avery’s career and his influence within the canon of American art. Additional commentary examines Avery’s only visit to Europe, in 1952, and pairings of Avery’s oils and related works on paper.

Published on the occasion of the exhibition Alice Neel, Uptown at David Zwirner, New York (23 February - 22 April 2017), and Victoria Miro, London (18 May - 29 July 2017).

Including essays by Hilton Als on individual portraits and their sitters, in addition to new scholarship by Jeremy Lewison.

Texts by Stephen Willats, Alistair Hudson and Miguel Amado. Interview with Hannah Redler Hawes. Published to accompany the solo exhibition at Middlesborough Institute of Modern Art (4 March - 4 June 2017).

A publication to accompany an exhibition of new work by the artist at Victoria Miro and Victoria Miro Mayfair (1 April - 6 May 2017)

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