Jules de Balincourt talks to Floorr Magazine about his exhibition at Victoria Miro Mayfair

Could you tell us a bit about yourself and your background. Where did you study?

I was born in Paris France in 1972 and between then and 1980 had brief stints living in different places in Europe from France to Switzerland and Ibiza before permanently settling in Los Angeles in 1980.  I spent my childhood following my mother’s impulses to chase love or shelter in different parts of the world, never really settling into one place until 5th and 6th grade, the first two consecutive years I spent in one school. I was constantly adapting to different settings and perpetually experiencing the new kid or outsider experience especially coming to American public school after having had a formative Waldorf school experience in France.

I spent most of my adolescence being a Southern California surf rat and it wasn't until taking classes at SBCC that I rediscovered art and a conviction of that being what I wanted to do. I then proceeded to spend 1995-2000 studying at CCAC majoring in ceramics studying with the legendary Viola Frey and making a side income building (beat legend) Michael McClure’s studio.  I then headed east to NYC in 2000 in my little pick-up truck and sleeping bag, some tools, cooking and art supplies and dreams of the big city.  

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Image: Jules de Balincourt, Red Dancers, 2017