Upstairs, in Njideka Akunyili Crosby’s painting I Still Face You (2015), a poised woman in a yellow dress leans against a credenza as she looks into the eyes of a man – her husband or fiancée, perhaps – in the company of their parents. In Crosby’s signature style, the mothers’ traditional Nigerian gowns are a patchwork of photocopied and overpainted newspapers, postcards and snapshots of life in Lagos – a striking analogue to the psychic patchwork of diaspora.
San Marco 1994,
Calle Drio La Chiesa
30124 Venice, Italy
t: +39 041 523 3799
info@victoria-miro.com
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During exhibitions:
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