Hilton Als, the theatre critic for The New Yorker, has won the 2017 Pulitzer Prize for Criticism.
Als became a staff writer for The New Yorker in 1994 and a theatre critic in 2002. Week after week, he brings to the magazine a rigorous, sharp, and lyrical perspective on acting, playwriting, and directing. With his deep knowledge of the history of performance—not only in theatre but in dance, music, and visual art—he not only shows us how to view a production but how to place its director, its author, and its performers in the ongoing continuum of dramatic art. His reviews are not simply reviews; they are provocative contributions to the discourse on theatre, race, class, sexuality, and identity in America.
Image: Photography by Brigitte Lacombe.
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