‘In one of the Biennial’s standout works, Once Again . . . (Statues Never Die), 2022, Julien seems keenly aware that any encounter with the historical past is invariably a double-sided affair, with the present inevitably reinterpreting the past as much as the past might seek to guide the present.’ – Andrew V. Uroskie
Installation view of Whitney Biennial 2024: Even Better Than the Real Thing (Whitney Museum of American Art, New York, March 20- August 11, 2024). Isaac Julien, Once Again… (Statues Never Die), 2022; In back: Richmond Barthé, African Dancer, 1933; Matthew Angelo Harrison, Dark Silhouette: Borrowed Inlets – Dogon, 2018. Photograph by Ron Amstutz
San Marco 1994,
Calle Drio La Chiesa
30124 Venice, Italy
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