The first solo exhibition of the artist's work at the Mayfair gallery. In her short career Woodman produced an extraordinary body of work - over 800 photographs - acclaimed for its singularity of style and range of innovative techniques.

This exhibition considers the zigzag and other abstract geometrical forms as recurring visual themes in Woodman’s work. Woodman’s practice is often discussed in terms of its surreal and symbolic imagery, but her work was grounded in a sophisticated understanding of form. Her photography exemplified strong compositional motifs, and the repetitive, regular shape of the zigzag, with its strong lines and angles, was a form she used in images of disparate subjects.

Many of Woodman’s gelatin silver prints feature this strong, idiosyncratic abstract lineage, and she also extended her investigation of the serial geometrical form in her large-scale diazotype prints. The artist described one of these works in a letter to a friend in 1980: ‘It will be … a long string of images held together by a long compositional zigzag, thus the corner of a building in one frame fits into the elbow of a girl in the next frame into a book in the third frame, the images are both very personal mysterious ones and harsh images of outdoor city life. It is hard to get the adjoining images to fit the rigorous structural scaffold’.