Joffe's paintings always alert us to how appearances are carefully constructed and codified, whether in a fashion magazine or the family album, and to the choreography of display. For the artist, notions of sensuality and self-disclosure are parcelled up in works of mobile immediacy. Tensions between the scale of the work and the apparent intimacy of the scene depicted heighten already complex narratives about connection, perception and representation that, implicit in the relationship between artist and subject, are extended to the viewer as a series of propositions and provocations. Suffused with a palpable empathetic warmth, Joffe’s paintings are deeply questioning images about ever-shifting human connections and the endless intricacies of looking.

Together, the works build upon narratives about connection, perception and representation. They alert us to the endless nuance of bodily expression; the myriad ways in which we reveal ourselves and communicate emotion, consciously or not.

About the artist

Born in 1969, Chantal Joffe lives and works in London. She holds an MA from the Royal College of Art and was awarded the Royal Academy Wollaston Prize in 2006. Joffe has exhibited nationally and internationally at venues including The Fitzwilliam Museum, Cambridge, UK (2023-2024); The Modern, Fort Worth, Texas, USA (2022); Koohouse Museum, Yangpyong, Korea (2022); The Irish Museum of Modern Art, Dublin (2021); The Foundling Museum, London, UK (2020); Arnolfini, Bristol, UK (2020); Scottish National Gallery of Modern Art, Edinburgh, UK (2019); Whitechapel Gallery, London, UK (2018); The Lowry, Salford, UK (2018); Royal Academy of Arts, London, UK (2018, 2017); National Museum of Iceland, Reykjavík (2016); National Portrait Gallery, London, UK (2015); Jewish Museum, New York, USA (2015); Jerwood Gallery, Hastings, UK (2015); Collezione Maramotti, Reggio Emilia, Italy (2014–2015); Saatchi Gallery, London, UK (2013–2014); MODEM, Hungary (2012); Turner Contemporary, Margate, UK (2011); Neuberger Museum of Art, Purchase, New York, USA (2009); MIMA Middlesbrough Institute of Modern Art, UK (2007); Galleri KB, Oslo, Norway (2005) and Bloomberg Space, London, UK (2004).

Her work is in numerous institutional and private collections, including the Institute of Contemporary Art, Boston, USA; Detroit Institute of Arts, USA; National Portrait Gallery, London, UK; and The Metropolitan Museum of Art, New York, USA.

Joffe has created a major public work for the Elizabeth line in London titled A Sunday Afternoon in Whitechapel, on view at Whitechapel Elizabeth line station.